A 1970s ghost, recut for the light you live in.
The archival reference here is a 1970s Halston studio wrap — the kind that existed in three colors and disappeared from record. Margot's reinterpretation preserves what mattered: the deep V-wrap neckline that falls without apology, the self-tie sash that cinches without structure, the A-line midi hem with a front slit that moves before you do. What she added are the bell cuffs — dramatic, flared, unapologetically theatrical — cut from the same liquid charmeuse as the body so the drama reads as intention, not costume. In ivory-champagne satin that turns warm sand at golden hour, this wrap midi is less a dress than a decision about how you want to take up space.